By Ben Sawyer, Dave Greely, Justin Frankel
Co-authored by way of the author of Winamp, MP3 strength with Winamp is the main whole advisor to realizing and utilizing MP3 know-how successfully. you are going to how to locate, create, and optimize MP3 documents your self utilizing the instruments and software program mentioned and integrated at the CD-ROM with the ebook. Geared for newbie to skilled person, this identify steps you thru the heritage of MP3 know-how, how bands and musicians can reap the benefits of it, and extra. in addition to concentrating on Winamp, you are going to how to use the Xing instruments to create MP3 tracks, create your individual MP3 radio station with Shoutcast, and get distinct information regarding MP3 and Winamp excessive finish details.
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Extra resources for MP3 power! with Winamp
Justin Frankel Documenting a technology as hot as MP3 and a product like Winamp is not as easy as it seems. Thank you to the legion of fans and musicians who have made MP3, Winamp and SHOUTcast the successes they are. This book wouldn't exist if so many people hadn't been drawn to the power of music on the Internet in a form that is open and powerful. This book also wouldn't exist without the hard work of the many developers who have made the products discussed here come to fruition. This includes the staff at Nullsoft: Tom Pepper, Rob Lord, Jennifer Spencer, Dana Dahlstrom, and Charles Frankel.
In many ways it is both. What started as a simple compression scheme for sound has, in fewer than two years, become a movement to create and distribute music electronically in a quality form. This chapter examines the MP3 format itself, discusses some of the major players (including Winamp), and examines how this previously obscure format has rapidly become one of Internet's hottest phenomena. Inside the Format MP3 as a format was born in Germany, where the Fraunhofer Institute for Integrated Circuits IIS-A created it as part of an advanced audio and video signals compression development scheme.
As fast Pentium chips became prevalent alongside the Internet, MP3, a format that had existed in design for some time, began drawing interest. Two enterprising people-Dmitry Boldyrev and Justin Frankel-began creating players that helped the format explode on the scene. MP3's wide support and ease of use, coupled with free, yet quality playback software, quickly caused a swell of support. That support exploded in the summer of 1998, and by the fall Page 9 of that year, MP3 was becoming ubiquitous in digital music and garnering headlines in every trade journal, computer magazine, and eventually every mainstream paper and magazine in the country.