By Karen Coody Cooper, Nicolasa I. Sandoval
Dwelling houses for Cultural Expression: North American local views on developing neighborhood Museums beneficial properties essays through 11 famous local museum pros, whose assorted reports in growing tribal museums come jointly during this compact and instructive assortment. those intimate pics, which discover the idea and perform of museum making plans for indigenous groups, are paired with a complete listing of greater than 2 hundred tribal museums and cultural facilities within the usa, Canada, and Mexico.
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Extra resources for Living Homes for Cultural Expression: North American Native Perspectives on Creating Community Museums
Inexpensive trays and containers have been used to manage the mcrc collection. Photograph courtesy of mcrc. 60 JEFFREY E. MAUGER AND JANINE BOWECHOP Storage labels at the mcrc use both Makah language and English. Photograph courtesy of mcrc. Artifacts in storage. Photograph courtesy of mcrc. M A K A H C U LT U R A L A N D R E S E A RC H C E N T E R 61 Personal Property Because of the way the buried houses and their contents were preserved, the property of specific individuals could be recognized in the Ozette collection through their association in containers such as boxes and baskets; often these were functionally related artifacts such as a fishing pouch that contained finished hooks, bone splinters for fashioning barbs, a whetstone for sharpening barbs, and leader material (raw materials for making the fishing line).
Should the museum be a true tribal corporation, the tribal council would be the governing body of the museum. Most tribal projects begin with an idea approved by the Hopi Tribal Council for development by a steering committee and a director to oversee the conception and follow-through of all phases of the project. Tribal representatives, both governmental and nongovernmental, make up steering committees. A well-rounded committee provides representation and perspectives from various backgrounds.
Posted were educational handouts and electronic versions of Alutiiq Word of the Week and the Rural School Art Show, as well as advertisements for events and store merchandise. The website remains an integral part of museum programs. Temporary web pages for each major program provide access to its resources. By 2002, the site had received more than 35,000 hits. As the electronic guestbook suggests, the website allows Alutiiq people from all over the world to keep in touch with their heritage. What a joy and delight to know that there are others like me in the world.