Court Poetry in Late Medieval England and Scotland: by Antony J. Hasler

By Antony J. Hasler

This e-book explores the frightened and risky dating among courtroom poetry and numerous kinds of authority, political and cultural, in England and Scotland at first of the 16th century. via poems through Skelton, Dunbar, Douglas, Hawes, Lyndsay and Barclay, it examines the trails during which court docket poetry and its narrators search a number of different types of legitimation: from royal and institutional resources, but additionally within the media of script and print.

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Additional resources for Court Poetry in Late Medieval England and Scotland: Allegories of Authority (Cambridge Studies in Medieval Literature)

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Quas ob res si parum ordinate singula carptimque non attigero, ignoscant mihi precor humillime qui nostra legent. (19) [I would here ask my readers to hold me excused if I do not describe the troubles of those times in the order in which events occurred. For I was not present in those times, nor have I hitherto heard anything about them directly . . Certainly while writing this I have had no oral informant or storyteller, who might offer me, as I had originally hoped, the subject matter I was bound to treat.

Henry VII, who had spent much of his exile in Brittany, sought to keep it independent, both to maintain an asylum for sympathetic refugees from the French court and to limit French hegemony along the Channel seaboard. The French ambassador and noted humanist1 Robert Gaguin, incensed by what looked like diplomatic dilatoriness, wrote a bad-tempered epigram, published in Paris, which attacked the English and their king. 3 Giovanni Gigli (“vir profecto divinarum humanarumque rerum peritissimus” [“a man very expert indeed in divine and human affairs”]), born around 1434, had received ecclesiastical preferment from Edward IV, and would do so again under Henry VII.

Nam postquam me primipilum primaeque aciei ductorem ordinasti, ut Laelius ille Caesari, sic ego excellentiae tuae verbis illius respondere iubeor in hunc modum Britanni ô vere successor et haeres imperii, veras exprimere voces ubi jubes, quod tam lenta tua tenuit patientia vires, conquerimur. Deeratne tibi fiducia nostri? (27–28) [And so we should highly praise that custom established far in antiquity, according to which commanders exhort their fellow soldiers to fight boldly, not because they 30 Court Poetry in Late Medieval England and Scotland doubt their loyalty, but so that they may be more eagerly aroused to the task in hand.

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