By Prof. Dr. Nadia Magnenat-Thalmann, Prof. Dr. Daniel Thalmann (auth.)
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Extra info for Computer Animation: Theory and Practice
16. 7 In-betweening Using Moving Point Constraints As dIscussed, In-betweemng often provIdes bad results, because of the use oflInear InterpolatIOn. Even If a non-lInear law IS used, thIS IS a non-lInear varIatIon In tune only and not In space. In fact It IS not sufficIent to specIfy the speed of InterpolatIOn, It IS also desIrable to speCIfy a non-lInear path Reeves  has proposed a method of In-betweemng USIng mOVIng POInt constraInts. ThIS method IS meant to allow the specIfIcatIon of multIple paths and speeds of InterpolatIOn and to reduce motIon dIscontInUItIes at key frames The prIncIple of the techmque IS to assocIate a curve varyIng In space and tIme WIth some POInts ofthe ammated object.
Fig. 19. 22 Figs. 20-22. Frames from "Four Seasons of Japan" (DIrector Mayurru Yoshman Art DIrector Tatsuo Shlmamura Techrucal DIrector Junnosuke Kutsuzawa © NHK) And the Others? 41 Fig. 23. SynthesIzed watch by SogJtec AudIOVISUe1, Pans 5. 1 Computer-assisted Animation We showed 10 Chapter 3 that numerous steps 10 conventIonal anImatIOn can be assIsted or Improved by computer. In partIcular, the computer can be used: 1. 2 3. 4. 5 6 to 10put draw10gs to produce 1O-betweens to specIfy the motIon of an object along a path to color the drawings and create a background to synchronIze motion wIth sound to 10ItIate the record1Og of a sequence on film.
23 shows an Image m mdustnal design. Fmally, we must mentIOn our own work at the UruversIty of Montreal WhICh wIll be dIscussed in later chapters of thIS book. Fig. 19. 22 Figs. 20-22. Frames from "Four Seasons of Japan" (DIrector Mayurru Yoshman Art DIrector Tatsuo Shlmamura Techrucal DIrector Junnosuke Kutsuzawa © NHK) And the Others? 41 Fig. 23. SynthesIzed watch by SogJtec AudIOVISUe1, Pans 5. 1 Computer-assisted Animation We showed 10 Chapter 3 that numerous steps 10 conventIonal anImatIOn can be assIsted or Improved by computer.