By Jane Chapman, Marie Kinsey
Broadcast Journalism offers a serious research of the most important abilities required to paintings within the sleek studio, on-location, or online, with chapters written by way of pros from the BBC, ITV, CNN and self reliant construction businesses within the united kingdom and US. parts highlighted contain: * interviewing * getting to know * enhancing * writing * reporting. the sensible information are balanced with chapters on illustration, ethics, legislation, economics and background, in addition to professional parts comparable to documentary and the reporting of politics, company, game and big name. Broadcast Journalism concludes with an essential bankruptcy on profession making plans to behave as a springboard in your destiny paintings within the broadcast industry.
Contributors: Jim Beaman; Jane Chapman; Fiona Chesterton; Tim criminal; Anne Dawson; Tony Harcup; Jackie Harrison; Ansgard Heinrich; Emma Hemmingway; Patricia Holland; David Holmes; Gary Hudson; Nicholas Jones; Marie Kinsey; Roger Laughton; Leslie Mitchell; Jeremy Orlebar; Claire Simmons; Katie Stewart; Ingrid Volkmer; Mike Ward; Deborah Wilson
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Additional resources for Broadcast Journalism: A Critical Introduction
Nick Davies (200: 62) summarises applying commercial logic to news as ‘highly damaging, cutting out human contact and with it the possibility of ﬁnding stories; cutting down time and with it the possibility of checking; and thus producing stories in greater numbers at greater speed and of much worse quality’. This ‘churnalism’, as he terms it, prevails in regional television and radio newsrooms where staff cuts have been the greatest in percentage terms. Independent current affairs production The picture for independent producers of news and current affairs is mixed: while there is a healthy job market in factual programming and in info/docutainment, the body of independent producers is competing for declining slots.
BBC Video Journalist (VJ) Trainer Warwick Wise says: With video journalism, you are working harder, there’s no getting away from that, but you’re also seeing genuine beneﬁts. It’s not just about saving money. If you can edit and ﬁlm yourself, all those things are going to feed into each other. From the manager’s point of view, they’re looking at the ﬁnances, and clearly it’s much cheaper to send one person out than three. 2 FUNDING BROADCAST NEWS 23 Threats and opportunities Broadcast journalists There has never been a time when the funding of the provision of broadcast news and current affairs has been so threatened as it is now.
In 1927, the Company became a corporation, with Reith becoming its director general and receiving a knighthood. Local autonomy, the characteristic of early American broadcasting, was never an issue in Britain. Nevertheless, as a BBC memorandum of 1925 noted, ‘those who have not been much in the Provinces cannot assess the extraordinary value placed upon the local station by provincial listeners’ (Briggs 1961: 395–6). Indeed, eight provincial stations were speciﬁed in the Company’s ﬁrst licence.